::tweak::

	Hye Yeon Nam Wonderland Space takes on multiple definitions. For me, I understand space as the sum of cultural and social forces that act on me. Through the space, my body feels all changes around me instantly and intimately. When I move from Korea to the United States, my body became a gauge that felt my displacement and recognized not only the conformity inflicted on me in the United States, but it also allowed me to deconstruct the rule from my hometown that I had taken for granted as normal. In my video piece, I attempt to convey the feeling of displacement and conformity by acting of walking. I perform walking forward and other people seem to be walking backward. However, I was walking backward in the real scene and I made it simply reversed. The space of being neither here following correct rule nor there following incorrect rule is precisely what I try to convey in this video.
	Mark Treston Nitro Carnival In my photographic art work the body is one of excess - it queries boundaries and ordered categories while at the same time, questioning idealised forms and classical aesthetics. Herein, the body is one in flux, amid a constant process of reformation and re-emergence. The themes in this work highlight the vital part played by the material body in shaping our experience. In Nitro Carnival, the body is juxtaposed with a systematic space, the units of which bring measure, order and unity to the space, while at the same time dematerializing its actual physicality. The information contained within five photographs is used to synthesis images into sound. Sound waves are created solely from the data captured within the images. These images were inspired by the minimal art of Dan Flavan and the writting of Mikhail Bakhtin. The images represent the materiality and de-materializing of both space and the human condition. The sound produced from the five photographs was then used to construct a moving representation of the images.
	Chris Coleman The Magnitude of the Continental Divides "The Magnitude of the Continental Divides" is an animation exploring the ways we define ourselves and our nations. It is a journey between many locations in various states of withdrawal and aggression. Borders become weaponized and damage is always dealt from afar. The individual is caught in the midst, unable to separate themselves, unable to define identity without place. Sound Design by David Fodel.
	Overture Bryum & Kapok Overture was born of Jason Malcolm Brown and Aya Yamasaki Brown in the final days of August, 2004. A focal point where their creative intertwined, Aya and Jason created an opera house where all the peoples of their worlds could perform and be entertained. As the opening to an opera, Overture stands to introduce and describe these worlds through their work.
	Saiman Chow and Sean Dougherty (US) Looking Thru the B-Sides Looking Thru The B-Sides follows the adventures of a skater named "ollie" as he is off on a quest to find his lost skateboard. What starts off as a casual trip to the skatepark, turns into a wild trip down the rabit hole and ends up in a way that Alice In Wonderland could never imagine.
	David O’ Reilly Please Say Something PSS is a 10 minute short concerning a troubled relationship between a Cat and Mouse set in the distant Future. The final film was completed in January 2009 and contains 23 episodes of exactly 25 seconds each.
	Takafumi Tsuchiya Apoptosis Video for an artist called 'caelum' (Released on Aroundtherecords, JP) . Apoptosis means the process of programmed cell death.
	Liesbeth Koot - Light Liesbeth makes performances, installations and films. Ideas are developed around experiments with dance in relation to the context of plastic arts and the context of film. These experiments focus on the difference of experience of time and space in theatre on one hand and exhibition spaces on the other hand and on the (im) possibilities of editing in dance and film. In Light the movement of a performer is made physically sensible by transforming it into abstract imagery and spatial moving sound. By leaving the performer out of the final result, the movement is experienced from inside - from a zero-point of orientation - instead of observed from an external point of view.
	Bruno Dicolla Return as Animal Bruno Dicolla is an director, animator, designer from São Paulo Brazil. He has done work for broadcasting television, music videos and illustrations for different type of medias. Return as an Animal (2008) is his second short movie. The movie explores the myth of the eternal return of life after death. "Once I heard a myth about life after death that says that after you live 22 lives, you will return to earth as an animal, unless you have some karma to deal with. I don't know if I believe in this but I liked how simple and bizarre the story was."
	Benjamin Tan Dawn A reminiscence of the bygone in an eternal cycle of renewal. [jmin.] is the directorial pseudonym for Benjamin Tan’s forays into the film, video art and design mediums. His works have since been screened at a number of local and international film festivals. While his passion remains deeply rooted in film, his works have branched into the mediums of photography, installation, print design and animation.
	Alexei Tylevich N.A.S.A. "A Volta" Alexei Tylevich is a director based in Los Angeles. Born in Minsk, Belarus in 1972, Alexei is co-founder and creative director of Logan (www.logan.tv) and Mørk & Lys (www.morkandlys.com). Logan is a production company combining vision of its directors with multifaceted talents of its in-house team of artists and producers, to create new visual and storytelling experiences. Known for its iconic work on the Apple iPod Silhouettes campaign and innovative approach to directing, visual effects, music videos, and commercials, Logan employs an experimental attitude, looking beyond conventional applications and projects to create content for a wide variety of clients ranging from advertising and fashion, to music labels and video games. The ability to collaborate with its sister design and VFX company, Mørk & Lys, has also enabled Logan to develop and finish projects from concept through post.
	Javan Ivey My Paper Mind An experimental animation exploring the "Stratastencil" technique that I've devised. Inspired by the Stratacut technique, Stratastencil is an additive process. Stratacut removes material to reveal another layer, while this technique adds another layer while still showing the layer before it. Amateur Baratone Ukulele: myself. (and yes, it's really paper)
	UBIK Voxel Our intention from the outset was to make something experimental, technically challenging, slightly ethereal and for reasons we can't quite remember - they made sense at the time - set in an empty swimming pool
	Kirsten Lepore Sweet Dreams Kirsten Lepore’s “Sweet Dreams” a fascinating tale of what happens when a cupcake (that’s right, a cupcake!) decides to pursue his dream of sailing the open seas.
	Santiago Caicedo Moving Still The routine of the daily train, with the same point of departure, same point of arrival, same route without surprise...the monotony of a road too often taken, those incessant round trips. The head against the window, images that pass by outside. Which rhythm do we choose, or beat to follow? Wondering, if we could change our lives, would we? And wondering, whether we still even wish to change tracks.
	Genki Ito Jemapur \| Clarte The latest film by W+K Tokyo Lab creator, Genki Ito. A curiosity toward science unfolds into an unknown world... Taking as its inspiration the sub-atomic world of a nuclear fusion reaction, Clarte visually re-imagines this microcosm into a beautifully poetic animation, pulsing and flowing along with Jemapur’s dark and textured sound. Experimenting with HDV recording, analog footage of milk floating on water, sediment in rotten wine, and caustics from reflected projector lights were all incorporated into the digital animation.
	Magnus Engsfors Suddenly A short movie illustrating the moment of total mental collapse due to very difficult personal circumstances.
	D-Fuse Endless Cities redux As the world population continues to move to urban centres, growing numbers of people contest a limited supply of space as their place for living. This brings with it a whole range of issues, ranging from environmental sustainability to the living standards and human rights of those at the bottom of the social scale who come to the city in search of a better life. Endless Cities_Redux [Surface 2.0] is part of a continuous project in which D-Fuse document urban conditions globally. Surface 1.0 began as a journey to some of the rising metropolitan centres of East Asia and the Pacific Rim, during which D-Fuse have been collaborating with local artists in each city to document their urban spaces and the dynamics at work within them. D-Fuse are a group of artists who reflect on environmental and urban issues using a wide range of creative media, including web, print and mobile media, installation art and architecture, live cinema performances, TV and film
	Jasmin Jodry StarGames Gymnasts are drawn skywards from the city by airship tractor beams in Jasmin Jodry’s film Star Games, which combines live action with animation, rotoscoping and archive footage. The retro-futuristic-styled film was one of four created as art of the 2008 Getty Images Short & Sweet film challenge, in which the filmmakers (Laurie Hill, Big Red Button, Ian Mackinnon and Dominic Parker, and Jasmin) were given access to Getty’s Hulton archive footage in the making of their films.
	Michael Paul Young The Mountain of Ling Originally born and raised in Tennessee, Michael Paul Young currently calls Bangkok, Thailand home. Michael started his career as one of the directors at the progressive firm Vir2l which was world renowned for rethinking web design from 1998-2000. In 2000, he left Vir2l to start the prestigious design firm WeWorkForThem that has worked with companies such as MTV, VH1, Ford, Coca-Cola, Pepsi, HP, Apple and Microsoft. Since then, Michael has also founded, managed and directs daily the world renowned online design shop, YouWorkForThem. While not working in the commercial industry of graphic design, Michael's online project Designgraphik has been at the forefront of online-interactive art since 1998. In 2001, at only age 23 he was nominated for the highly prestigious Chrysler Design Award, typically reserved for architects. Michael's innovative work online and in video have been exhibited around the world from America to Asia and Australia to Europe. He has gained notable awards (Clio, Cannes Gold Cyber Lion, Art Directors Club) from many festivals and competitions. Michael continues to work daily as an artist, designer, photographer, director, producer and programer.
	Max Hattler Striper v0.1 A very short meditation on the street as canvas.